Jaret Reddick is best known as the lead singer and songwriter for the pop punk pioneers Bowling For Soup. Songs like “1985,” “Almost,” High School Never Ends,” and “Punk Rock 101” are but a few of the catchy ditties Reddick and BFS toured the world supporting more times than you can shake a stick at!
“When you think of BFS, you think ‘funny,’” Reddick explains. “But, there is way more substance to the songs than comes across when playing the songs at full volume.”
Jaret has also made his mark on film and TV, co-writing the themes to both “Phineas and Ferb” and “Jimmy Neutron,” to name a few.
Currently Reddick continues to tour and produce new music for Bowling for Soup as well as produce and write for other acts. He is also the voice of Chuck E. Cheese. Yep. That’s him on the commercials and in the stores. (You’re welcome parents!)
“I am so happy to be a part of this event! If Zac hadn’t booked me, I would have eventually crashed it anyway!"
Emily Faith has grown up performing on the local Opry stages in Oklahoma and Texas, which explains her love for country music. She soon began exploring and embracing many different musical genres; which led to the development of her own unique style of Country infused with a little Pop, Blues, and Rock N Roll. Emily says, “Like splatter paint my music represents many different parts of me.”
A singer/songwriter, with many talents - Emily’s has a diverse catalog of songs she has penned and often paves her own path including producing her own shows. She has worked with Ken Caillat former producer for Fleetwood Mac, and just finished a new EP under the direction of Warner’s, Zac Maloy with several top line writers on the project.
Spring 2017 Emily opened a 50-city nation wide tour for the Newsboys and became a featured artist on Radio Disney. In the past she has opened shows for President George W. Bush, Marty Stuart, Sawyer Brown, and Bryan White; she has performed at many historic sites across the country such as Tootsies, Bluebird Café, SXSW, House of Blues, Loretta Lynn’s Ranch, Six Flags and Disneyland. This young lady has mounted an exceptional bio that attests to her hard work and dedication.
Emily was named the Oklahoma and North American Country Music Associations Vocalist and Entertainer of the Year for five consecutive years and was recently named the 2018 Miss OKC Bricktown’s Outstanding Teen.
In her spare time you might find her on a theater stage in one of the many lead roles she has landed or performing the National Anthem at numerous events including the OKC Thunder games or NASCAR.
Every Scooter Carusoe song is a beautiful ambush. His genius sneaks up on you: you’re humming along to a melody you can’t get out of your head long before you realize there are layers to unpack and lines worth serious study.
The man behind No. 1 singles including Kenny Chesney’s “Anything but Mine” and “Better as a Memory” and Brett Eldredge’s “Mean to Me” and “Wanna Be That Song” …. and current chart climbers “For The First Time” Darius Rucker and “Drunk Girl” by Chris Janson, writes instantly recognizable songs that established superstars and newcomers alike watch call on.
HIs songs have been performed on The Grammy’s, CMA’s, ACM’s and received multiple NSAI, ASCAP and SESAC awards. In addition to his above credits, his works have been recorded by Rascall Flatts, Lady Antebellum, Uncle Kracker, Dierks Bentley, Sugarland, Gary Allan, Jordan Davis, Montgomery Gentry, Pat Green, Chase Rice, Eli Young Band, Canaan Smith, Rodney Atkins and more.
Today, the North Carolina-born, Knoxville, Tennessee-raised Carusoe lives in Nashville with his wife and two sons. Yes, Carusoe is a pen name, but his insistence on using it actually reveals a lot about who he really is: stubborn and inspiring, always fighting to keep the focus where it should be––the song.
Since his first #1 in 1983, Hall of Fame Songwriter Bob DiPiero has been responsible for an uninterrupted string of country music hits. One of Nashville’s most prolific and consistent songwriters, Bob possesses a humble drive to keep learning and stay relevant. He has had over 1,000 songs recorded by other artists, countless hit singles, and an astounding 15 #1 hits. His songs have been featured in TV shows, commercials and movies. Among his countless awards are 50 BMI Million--Air honors, multiple Songwriter of the Year awards and 2 consecutive Triple Play awards for 3 #1 songs within a 12--month period. In 2007, Bob was inducted into the Nashville Songwriters Hall of Fame and Nashville’s Walk of Fame. In 2014, the Country Music Hall of Fame honored Bob with their prestigious “Poets and Prophets Series: Salute to Legendary Songwriter Bob DiPiero” and the Country Music Association also presented Bob with the CMA Chairman’s Award. On November 7, 2017 Bob DiPiero received yet another incredible honor when BMI presented him with their prestigious Icon Award celebrating his outstanding career achievement and honoring his unique and indelible influence on generations of music makers. This remarkable accolade leaves no question that Bob DiPiero’s career has truly been iconic.
Panel discussion - how to write a hit song with Jim Beavers, Marcus Hummon and Zac Maloy.
Native Oklahoman and songwriter Zac Maloy will return to Oklahoma City June 1-3, along with fellow Nashville songwriters Marcus Hummon, Clint Lagerberg and Levi Hummon, for the second annual Oklahoma Songwriter’s Festival, presented by Grand Casino Hotel & Resort. Says festival organizer Zac Maloy, “When we started this festival last year, we chose Oklahoma City as our home market because we saw the exciting growth taking place within Oklahoma music circles and were confident the community would support the effort. I’m happy to say it exceeded our expectations and we are thrilled to be back.”
The 3-day event culminates in a Songwriter Showcase on Saturday, June 3 at the ACM@UCO Performance Lab on Sheridan Ave. in Bricktown. Using a format frequently used in Nashville, these “writer round” performances allow each songwriter the opportunity to perform one of their original songs, often made popular by chart-topping artists, and tell stories of how the songs were created. Tickets are on sale at OklahomaSongwritersFestival.com. Tickets are $40 VIP or $25 general admission.
Says Maloy, “In a venue this size, it’s like having a handful of songwriters in your living room, talking about why we wrote each song, then performing that song live. As songwriters, we enjoy the interaction with the crowd and are excited to be back in Oklahoma City. As a native Oklahoman, it’s especially gratifying to see how the Oklahoma music scene continues to grow and thrive.”
About this year’s songwriters:
Zac Maloy – The former frontman of The Nixons, who released three albums on MCA/Universal Records and completed worldwide tours with Radiohead, Soul Asylum, No Doubt, KISS and Bush, Maloy has written with Daughtry, 3 Doors Down, Blake Shelton, Jake Owen and Tim McGraw, and co-wrote “Temporary Home,” a #1 country song, with Carrie Underwood.
Marcus Hummon – Grammy winner and two-time NSAI Songwriter’s Hall of Fame nominee, Marcus Hummon songs have been recorded in multiple genres – pop, R&B, gospel and, most notably, country music. His best known hits include “Bless the Broken Road” (Rascal Flatts), “Cowboy Take Me Away” and “Ready to Run” (The Dixie Chicks), “Born to Fly” (Sara Evans), “One of These Days” (Tim McGraw) and “Only Love” (Wynonna).
Clint Lagerberg – Grammy, ACM and Billboard Music Award nominated songwriter/producer, Lagerberg has been working in Nashville since 2005 and has had songs recorded by Blake Shelton, Rascal Flatts, Keith Urban, Tim McGraw and Josh Kelley. His first #1 hit was “Here Comes Goodbye” (Rascal Flatts) followed by a second #1 chart-topping song, “Blue Ain’t Your Color” (Keith Urban).
Levi Hummon – Born and raised in Music City, Hummon has worked with notable songwriters including Jimmy Robbins, Shane MacAnally, Andrew Dorff, Josh Osborne, Jonathan Singleton and Nathan Barlowe, and wrote with legendary Steven Tyler on “Red, White and You.” Hummon has been busy performing and touring with the likes of Frankie Ballard, Kelsea Ballerini, Billy Currington, Hunter Hayes, Sam Hunt, Kip Moore, David Nail, Michael Ray, and A Thousand Horses. His new single, “Don’t Waste the Night,” was just released in late April.
In addition to the Saturday evening Songwriter Showcase, Oklahoma Film + Music Office (OF+MO) will co-host a sponsor reception with Dunlap Codding on Thursday evening and will partner with The Paramount OKC to host a Songwriting Camp on Saturday, June 3 at The Paramount Room, 701 W. Sheridan Ave., from 10 a.m. to 1 p.m. Free to the public, the Songwriting Camp will include interactive panel discussions with some of Nashville’s most established songwriters, where attendees can learn secrets to successful songwriting, as well as gain insight into aspects of publishing, licensing and music business to enhance their craft. The camp will also consist of an interactive-style workshop where Nashville songwriters will break down the specifics of how they wrote a few of their ‘hit songs’ for people like Keith Urban, Blake Shelton, Carrie Underwood, Tim McGraw, Dixie Chicks, Rascal Flatts and others. Attendees will have an opportunity to ask questions throughout the workshop. The Songwriting Camp will also include refreshments and great networking among peers. A few select attendees will also receive an opportunity to participate in one-on-one mentor sessions immediately following the camp – must be present to win.
OF+MO Director Tava Maloy Sofsky notes, “It is an honor to welcome Zac, Marcus, Clint and Levi to Oklahoma, and we are especially proud and excited to partner with them on the Saturday Songwriting Camp. Local and regional singer/songwriters can come learn (and be heard), which helps build our local music industry at a grassroots level. The Songwriter Showcase Saturday night is my personal favorite. So many friends and leaders in our community are still talking about last year’s show and how much they enjoyed meeting ’the real heroes behind the hits’ – in our own backyard. There’s nothing quite like it!"
Presented by Grand Casino Hotel & Resort, festival sponsors include Oklahoma Film + Music Office, The Oklahoman, Dunlap Codding, The Paramount OKC, ACM@UCO and 21c Museum Hotel.
Launched in 2016, the Oklahoma Songwriter’s Festival brought talented local songwriters and prolific Nashville songwriters to Oklahoma City for three days of writing sessions, music industry panel sessions and songwriter showcases. The festival featured Kierston White, Andy Adams, Annie Oakley, JD McPherson, Marcus Hummon, Jim Beavers, Marti Fredrickson and festival founder and Ada, Oklahoma native Zac Maloy.
Video provided by Oklahoma Film + Music Office (OF+MO).
Born and raised in Music City, Levi Hummon has worked with notable songwriters including Jimmy Robbins, Shane MacAnally, Andrew Dorff, Josh Osborne, Jonathan Singleton and Nathan Barlowe, and wrote with legendary Steven Tyler on “Red, White and You.” Hummon has been busy performing and touring with the likes of Frankie Ballard, Kelsea Ballerini, Billy Currington, Hunter Hayes, Sam Hunt, Kip Moore, David Nail, Michael Ray, and A Thousand Horses. His new single, “Don’t Waste the Night,” was just released in late April.
2nd annual Oklahoma Songwriters Festival dates are set! Please join us June 1-3, 2017 in OKC. There will be some new and familiar faces from Nashville and Oklahoma this year so stay tuned for updated schedule. We will release more details soon!
An interview with Marcus Hummon and the Oklahoma Songwriters Festival.
By Nathan Poppe.
Marcus Hummon writes hit songs but just not always for himself.
Hummon is based in Nashville, Tenn., and has written commercially successful hits for Rascal Flatts, the Dixie Chicks, Garth Brooks and a lot more country artists.
This weekend, he'll be workshopping and writing alongside several Okies and other Nashville musicians during the Oklahoma Songwriter's Festival. Also, he'll be performing Saturday evening at the ACM@UCO Performance Lab alongside the same combination of Oklahoma and Nashville talent.
Hummon has struck a balance between art and commerce. For every hit song he's penned, he's got a musical, opera or any number of diverse projects going on at the same time.
It wasn't always so easy though. He initially couldn't garner much interest for "Bless the Broken Road," which he ended up winning Rascal Flatts a Grammy for Best Country Song in 2005. His big break came in 1992 after he speedily delivered a cassette tape to a Wynonna Judd recording session. That track became his first hit, "Only Love."
He spoke on the phone with The Oklahoman about his road to songwriting and what it's like to make it as a songwriter.
Q: You're fresh from writing a theatrical production based on an adaptation of Frederick Douglass' first autobiography, "Narrative of the Life of an American Slave." I understand you've also tackled a musical about famed Okie native athlete Jim Thorpe. Tell me more about that project.
Marcus Hummon: I'm a huge, huge Jim Thorpe fan, and it was first done many years ago, and back in 2011 here in Nashville at the Ford Theater (at the) Country Music Hall of Fame. We did it at Tennessee Performing Arts Center and then we did it off-Broadway. ... That was one of my biggest connections to Oklahoma, because in working on that piece I got to know Jim's daughter who passed away a few years ago, Grace Thorpe. We sent letters back and forth. I sent her a script, and finally I flew out and met some more of the Thorpe family.
So when Zac (Maloy) would talk to me about this and that we were gonna go out and do a songwriter's festival and that a lot of what it was going to be about was looking at Oklahoma writers and to inspire them — because there's been so many great Oklahoma songwriters in the national community; they have had such a huge impact — I just sort of jumped at the opportunity.
Q: A majority of the hit songs you've written have been made famous by popular country artists. Is this a genre you were intentionally aiming to get into or were you naturally drawn to it?
Hummon: No, I wasn't specifically drawn to country music as a kid. I just grew up in a family that loved music. My parents were very musical. My dad was a state department guy working at economic development overseas, so we grew up in Africa, West Africa, East Africa, Philippines and Saudi Arabia. We basically traveled, mostly overseas, until I was 17. As far as my early connection to Nashville, there was probably Johnny Cash and Glen Campbell records. Those are records that I remembered and love. ... I realized that Nashville, particularly in the late '80s, when it was exploding, it was really song-based. You needed to be able to play and you needed to be able to actually sing. It's not smoke and mirrors. I fit in, but it did take a little while, and then I had ... a couple publishers actually tell me to leave. (Laughs.)
Q: So why didn't you get out of town?
Hummon: I kind of looked into myself and asked, "Why should I stay?" I mean, what is it that I resonate with? And it was the love of songs. The actual musicians. The connection between songwriting, storytelling and what we do with our hands with these wonderful instruments. In that sense, I fit in just fine.
Q: You've had a lot of luck with your songs performing well commercially. Does hitting No. 1 on the Billboard charts feel like the end goal? What does that milestone actually mean as a songwriter?
Hummon: I would be a liar if I didn't say that the thrill of a No. 1 record is really extraordinary. I remember the first time it happened and ... it's an extraordinary feeling, but it's definitely larger than that, because it's truly a way of life. I supplement my activities as a songwriter by being a playwright. You know, opera is related to me, I've written a couple of operas, and the nature of living within music, living within lyrics within the structure of a song, expanding a song, an album, thinking of that as a canvas, thinking of writing as a kind of lifelong meditation. Songwriting can be a way to take a prismatic look at the world around you and process your feelings. ... It's a way of life, and it's a way of growing as a person, I hope.
Q: What's the draw to coming to Oklahoma for this festival and working on songwriting sessions with Oklahoma-based artists?
Hummon: I'm always interested in being around young writers these days — I'm 55, so it seems like everyone's young. I sometimes describe writers as professional dreamers, and in that sense they play a really important part in culture, and so I always enjoy meeting new writers. Getting to share the stage with some Oklahoma writers, that's probably the thing I'm gonna look forward to most. Just to hear what they have to say, and hopefully some of what they have to say will have a distinctively Oklahoma taste, like a flavor. I wanna experience that.
Thursday night is Oklahoma night at the Blue Door. This is a FREE SHOW! Come out and see the talented Kierston White, Beau Jennings, Annie Oakley and Andy Adams in the round.
Show will begin at 9:00 pm
PodKatt Episode 2: Stories of Katt Past – Zac Maloy of the Nixons
Listen to the full podcast here.
Posted on April 13, 2016
On April 12th, 2016, The Katt’s Jake Daniels sat down with Zac Maloy, who returned to the KATT, after several decades to discuss how his music has been finding it’s way into the heart of millions of music fans who don’t even know it. In large part, thanks to some help from the KATT during the early years of his career in the Nixons and how the little band from Oklahoma influenced some of today’s popular recording artists like Carrie Underwood, Daughtry, David Cook, Skillet and others. Zac also took the time share about the inaugural Oklahoma Songwriters Festival at the end of April. Checkwww.oklahomasongwritersfestival.com to learn more. #ACM@UCO #OKLAHOMASONGWRITERSFESTIVAL #KATT40
By William W. Savage III, Editor in Chief - April 5, 2016
April 5, 2016
Songwriter Zac Maloy said he hopes to meet many talented people at the inaugural Oklahoma Songwriter Fest this month. (Provided)
Growing up in Oklahoma, Ada native Zac Maloy couldn’t have known he would become a “professional songwriter.” Now, living in Nashville and with a fair share of hits to his name, he still doesn’t like the term.
“Professional songwriters,” Maloy said with a laugh. “It seems kind of funny to say that because we’re all a bunch of dudes sitting around in Converse tennis shoes and jeans trying to find new ways to rhyme with love, but whatever.”
Maloy will be bringing several of his denim-wearing dude brethren to OKC this month for the inaugural Oklahoma Songwriters Festival from April 28 to April 30. With special events lined up for each of the three days, Maloy said the festival will seek to connect artists with fans of songwriting as well as help guide young performers, writers and production specialists looking for future opportunities.
“It’s for anyone who loves music and who wants to hear stories behind songs,” Maloy said. “It’ll be a creative weekend where anything can happen.”
To put on the event, Maloy has brought in some of his closest songwriting associates, including: Marcus Hummon, Jim Beavers, Graham Colton, Marti Frederiksen and J.D. McPherson. The weekend will feature several songwriting workshops as well as evening performances.
NonDoc is a sponsor of the event.
“The shows, I think, are going to be eye-opening for fans of music to see these writers talking about their music,” Maloy said. “The whole goal originally was really two parts: To entertain with the public events but to also create an artery to Nashville.”
But the festival will also offer Maloy an opportunity he hasn’t had in a decade.
“At the end of the show Saturday night, I will be joined onstage by Jesse Davis and John Humphrey who, along with myself, were three of the founding members of The Nixons,” Maloy said. “We have not shared the stage together in over 10 years. We’ve been batting around a Nixons reunion for years, but it’s just hard with all our schedules.”
Oklahoma Songwriters Festival has chosen 3 amazing singer songwriters from Oklahoma to participate in the writing sessions offered over the 3 day event. The talented writers chosen are Daniel Walcher, Sophia Babb and Grace Babb.
What we saw in these writers:
Annie Oakley's Sophia and Grace Babb
“Hearing Sophia and Grace sing gave me the same kind of feeling as when I heard The Civil Wars for the first time. Insane melodies and haunting harmonies. But buried inside are really beautiful songs."
“Sometimes killer singers worry me because they can mask a not so good song. But at the core of Daniel’s songwriting is honesty. And great writing. You can just feel it. I think the experience he will get from working with some Nashville writers is going to be awesome for all involved."